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市場調查報告書
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1949646

背景音樂市場－全球產業規模、佔有率、趨勢、機會及預測（依分銷模式、授權類型、最終用戶產業、技術平台、地區及競爭格局分類，2021-2031年）

Background Music Market - Global Industry Size, Share, Trends, Opportunity, and Forecast, Segmented By Delivery Model, By Licensing Type, By End-User Industry, By Technology Platform, By Region & Competition, 2021-2031F
出版日期: | 出版商: TechSci Research | 英文 181 Pages | 商品交期: 2-3個工作天內

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簡介目錄

全球背景音樂市場預計將從 2025 年的 23.4 億美元成長到 2031 年的 36.7 億美元，年複合成長率為 7.79%。

該行業為商業場所（包括零售商店、公共空間和酒店等）提供精心策劃的音訊內容，旨在塑造消費者行為並創造獨特的品牌氛圍。全球零售和酒店業的發展是推動該行業成長的主要動力，這些企業正日益利用音訊品牌來提升客戶參與參與度並延長客戶停留時間。根據國際作曲家協會聯合會（CISAC）的數據，預計到2024年，全球現場音樂和背景音樂領域的版稅收入將成長9.6%，達到36億歐元，這印證了實體場所對公共演出權的強勁需求。

市場概覽
預測期 2027-2031
市場規模：2025年 23.4億美元
市場規模：2031年 36.7億美元
複合年成長率：2026-2031年 7.79%
成長最快的細分市場 獨立音樂播放器
最大的市場 北美洲

然而，音樂授權和版權合規在不同司法管轄區之間存在著許多複雜問題，為市場帶來了巨大的障礙。企業常常難以應對分散的版權管理系統和不一致的法規結構，導致高昂的行政成本和法律實施負擔。這種複雜的法律合規流程往往阻礙了中小企業採用授權服務，從而限制了背景音樂供應商的潛在市場規模。

市場促進因素

零售和酒店業的持續成長是全球背景音樂市場的主要驅動力，因為這些行業的商業場所正不斷增加對音訊策略的投資，以創造獨特的客戶體驗。實體店優先引入授權音樂，以延長顧客停留時間並強化品牌形象，這直接促進了演出權收入的復甦和成長。根據國際唱片業協會（IFPI）於2025年3月發布的《2025年世界音樂報告》，預計2024年全球演出權收入將成長5.9%，達到29億美元，證實了商業場所的持續需求。主要區域市場也呈現同樣的成長趨勢。例如，PRS for Music於2025年6月發布的《2024年度報告》顯示，公共演出收入成長8.1%，達到2.034億英鎊，顯示傳統商業領域的授權活動十分活躍。

同時，隨著健康、企業和醫療保健等領域對背景音樂的需求不斷成長，市場覆蓋範圍也不斷擴大。在這些領域，背景音樂不僅用於促進銷售，還能提升病患舒適度和員工效率。工業設施和企業辦公室正在建立聲學環境以提升職場，這有效地拓展了背景音樂供應商的基本客群，使其不再局限於傳統的零售和酒店業。正如PPL在2025年6月發布的2024年度報告中所述，預計2024年辦公室和工業授權業務的收入將成長8%，這表明音樂解決方案在這些非傳統專業環境中正持續得到應用。

市場挑戰

版權合規的複雜性以及不同司法管轄區間分散的權利管理，對全球背景音樂市場的成長構成了重大障礙。商業機構在應對合法音訊播放所需的複雜許可要求時，面臨著巨大的行政困難。這種營運摩擦導致成本增加和資源分配挑戰，因為他們通常需要與眾多版權集體管理組織和權利擁有者進行談判，以確保獲得全面的版權保護。因此，這種複雜性常常嚇退潛在客戶，導致他們選擇靜音或未經授權的替代方案，而不是專業的背景音樂服務，最終縮小了潛在市場規模。

缺乏專門法律團隊的中小型企業尤其不願意參與正式的授權協議。儘管該行業的經濟潛力巨大，但仍受到這些結構性障礙的限制。根據國際唱片業協會（IFPI）預測，到2024年，涵蓋廣播和公共場所錄製音樂使用的表演權全球收入預計將達到29億美元。雖然這一數字反映了巨大的現有需求，但合規方面的挑戰阻礙了許多商業場所將其轉化為付費用戶，從而有效地限制了版權所有者和提供者的收入潛力。

市場趨勢

人工智慧驅動的即時歌單策劃和個人化技術正在從根本上改變市場格局，將背景音樂從靜態的預設循環轉變為能夠即時調整的動態環境。演算法現在可以分析天氣狀況、時間、店內客流量等即時因素，從而調整音樂能量，使其與消費者保持相關性和互動性。鑑於海量內容的存在，人工策劃在大規模效率低下，這種技術革新顯得愈發重要。正如 Luminate 於 2025 年 7 月發布的《2025 年上半年音樂報告》所指出的，全球點播音訊串流媒體在今年上半年成長了 10.3%，達到 2.5 兆次播放。這凸顯了企業必須透過智慧自動化解決方案來管理龐大的音樂庫。

同時，免版稅經營模式和直接授權的興起正在革新傳統的版權管理模式，為分散的表演權組織體系提供了更簡化的替代方案。這些平台提供涵蓋所有必要版權的單一來源許可，有效避免了通常阻礙企業採用的法律不確定性和行政摩擦。這種模式正受到尋求降低營運成本和多司法管轄區許可相關合規風險的企業的商業性。 Epidemic Sound 於 2025 年 4 月發布的 2024 年年度報告顯示，公司營收成長 29% 至 1.816 億美元，顯示這些精簡、全面的版權管理框架在全球商業環境中正迅速得到應用。

目錄

第1章概述

第2章調查方法

第3章執行摘要

第4章：客戶評價

第5章 全球背景音樂市場展望

  • 市場規模及預測
    • 按金額
  • 市佔率及預測
    • 依發行模式（串流媒體服務、預錄音樂庫、客製化音樂製作）
    • 按許可類型（公共傳播權、特定風格/類型許可）
    • 按最終用戶行業分類（零售商店、酒店、健身房和健身中心、辦公室和職場環境、其他）
    • 按技術平台（獨立音樂播放器、軟體應用程式、行動應用程式）
    • 按地區
    • 按公司（2025 年）
  • 市場地圖

第6章 北美背景音樂市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 北美洲：國家分析
    • 美國
    • 加拿大
    • 墨西哥

第7章 歐洲背景音樂市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 歐洲：國家分析
    • 德國
    • 法國
    • 英國
    • 義大利
    • 西班牙

8. 亞太地區背景音樂市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 亞太地區：國家分析
    • 中國
    • 印度
    • 日本
    • 韓國
    • 澳洲

9. 中東和非洲背景音樂市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 中東和非洲：國家分析
    • 沙烏地阿拉伯
    • 阿拉伯聯合大公國
    • 南非

第10章 南美背景音樂市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 南美洲：國家分析
    • 巴西
    • 哥倫比亞
    • 阿根廷

第11章 市場動態

  • 促進要素
  • 任務

第12章 市場趨勢與發展

  • 併購
  • 產品發布
  • 最新進展

第13章 全球背景音樂市場：SWOT分析

第14章：波特五力分析

  • 產業競爭
  • 新進入者的可能性
  • 供應商電力
  • 顧客權力
  • 替代品的威脅

第15章 競爭格局

  • Mood Media, LLC
  • Sirius XM Radio Inc.
  • Soundtrack Your Brand
  • PlayNetwork, Inc.
  • Cloud Cover Media, Inc.
  • TouchTunes Music Company, LLC
  • Qsic, Inc.
  • Imagesound Ltd
  • CustomChannels.net, LLC
  • Rockbot, Inc.

第16章 策略建議

第17章：關於研究公司及免責聲明

簡介目錄
Product Code: 24219

The Global Background Music Market is projected to expand from USD 2.34 Billion in 2025 to USD 3.67 Billion by 2031, reflecting a compound annual growth rate of 7.79%. This industry centers on providing curated audio content for commercial settings, including retail stores, public spaces, and hospitality venues, with the aim of shaping consumer behavior and defining a distinct brand atmosphere. Growth is largely underpinned by the ongoing development of the global retail and hospitality sectors, where businesses are increasingly leveraging audio branding to improve customer engagement and extend dwell time. Data from the International Confederation of Societies of Authors and Composers (CISAC) indicates that global royalty collections for the live and background music sector rose by 9.6% in 2024, totaling €3.6 billion, which underscores the strong demand for public performance rights in physical establishments.

Market Overview
Forecast Period2027-2031
Market Size 2025USD 2.34 Billion
Market Size 2031USD 3.67 Billion
CAGR 2026-20317.79%
Fastest Growing SegmentStandalone Music Players
Largest MarketNorth America

However, the market faces a significant obstacle regarding the intricate nature of music licensing and copyright compliance across various legal jurisdictions. Companies frequently encounter difficulties with disjointed rights management systems and inconsistent regulatory frameworks, leading to substantial administrative costs and burdens associated with legitimate adoption. This complexity in satisfying legal prerequisites often discourages small and medium-sized enterprises from committing to licensed services, effectively restricting the total addressable market for background music providers.

Market Driver

The sustained growth of the retail and hospitality sectors acts as a primary catalyst for the global background music market, as commercial entities in these fields increasingly fund audio strategies to cultivate unique customer experiences. Physical establishments are prioritizing licensed music to extend visitor dwell time and reinforce brand identity, which directly contributes to the recovery and expansion of performance rights revenue. According to the 'Global Music Report 2025' released by the International Federation of the Phonographic Industry (IFPI) in March 2025, global revenues from performance rights rose by 5.9% to $2.9 billion in 2024, underscoring the enduring demand from commercial venues. This upward trend is mirrored in key regional markets; for instance, PRS for Music reported in their 'Financial Results 2024' from June 2025 that public performance revenues increased by 8.1% to £203.4 million, indicating strong licensing activity within traditional commercial industries.

Concurrently, the market is broadening its scope through rising adoption in wellness, corporate, and healthcare environments, where background audio is deployed to improve patient comfort and employee productivity rather than solely driving sales. Industrial facilities and corporate offices are incorporating audio environments to enhance workplace satisfaction, effectively diversifying the customer base for background music providers beyond the conventional retail and hospitality focus. As noted in PPL's 'Annual Review 2024' published in June 2025, the licensing sector for offices and factories experienced revenue growth of 8% in 2024, proving that there is tangible uptake of music solutions within these non-traditional professional settings.

Market Challenge

The complex nature of copyright compliance and the fragmentation of rights management across various jurisdictions represent major hurdles to the growth of the Global Background Music Market. Commercial organizations encounter significant administrative difficulties when trying to maneuver through the intricate web of licensing requirements needed for legal audio playback. This operational friction leads to increased costs and challenges in resource allocation, as businesses are often required to negotiate with numerous collection societies or rights holders to ensure comprehensive coverage. As a result, this complexity frequently discourages potential clients, leading them to choose silence or unlicensed alternatives over professional background music services, which ultimately reduces the size of the addressable market.

This hesitation to participate in formal licensing structures is especially evident among smaller businesses that lack dedicated legal teams. Although the economic potential of this sector is significant, it remains constrained by these structural barriers. According to the International Federation of the Phonographic Industry (IFPI), global revenue from performance rights, covering recorded music use in broadcasting and public venues, totaled US$2.9 billion in 2024. While this figure illustrates substantial existing demand, the challenges associated with achieving compliance restrict the conversion of many commercial spaces into paying subscribers, effectively limiting revenue potential for both rights holders and providers.

Market Trends

The market is being fundamentally transformed by the adoption of AI-driven real-time playlist curation and personalization, shifting background audio from static, pre-set loops to dynamic environments that adjust instantly. Algorithms are now capable of analyzing real-time factors-such as weather conditions, time of day, and the density of in-store foot traffic-to modulate energy levels, ensuring the audio remains contextually relevant to the consumer. This technological evolution is increasingly necessary given the vast volume of available content, which makes manual curation inefficient for large-scale operations. As highlighted in Luminate's 'Midyear Music Report 2025' from July 2025, global on-demand audio streams rose by 10.3% to hit 2.5 trillion in the first half of the year, emphasizing the extensive catalog depth that businesses must manage through intelligent, automated solutions.

At the same time, the rise of royalty-free business models and direct licensing is disrupting traditional rights management by providing a simplified alternative to the fragmented systems of performance rights organizations. By offering a single-source license that encompasses all necessary copyrights, these platforms effectively circumvent the legal opacity and administrative friction that often discourage enterprise adoption. This model is gaining significant commercial traction as companies look to lower operational costs linked to multi-jurisdictional licensing while mitigating compliance risks. According to the 'Annual Report 2024' from Epidemic Sound in April 2025, the company saw a 29% increase in revenue to $181.6 million, illustrating the rapid adoption of these streamlined, rights-inclusive frameworks within the global business landscape.

Key Market Players

  • Mood Media, LLC
  • Sirius XM Radio Inc.
  • Soundtrack Your Brand
  • PlayNetwork, Inc.
  • Cloud Cover Media, Inc.
  • TouchTunes Music Company, LLC
  • Qsic, Inc.
  • Imagesound Ltd
  • CustomChannels.net, LLC
  • Rockbot, Inc.

Report Scope

In this report, the Global Background Music Market has been segmented into the following categories, in addition to the industry trends which have also been detailed below:

Background Music Market, By Delivery Model

  • Streaming Services
  • Pre-recorded Music Libraries
  • Custom Music Composition

Background Music Market, By Licensing Type

  • Public Performance Rights
  • Mood & Genre Specific Licensing

Background Music Market, By End-User Industry

  • Retail Stores
  • Hospitality Industry
  • Gyms & Fitness Centers
  • Offices & Workplaces
  • Others

Background Music Market, By Technology Platform

  • Standalone Music Players
  • Software Applications
  • Mobile Apps

Background Music Market, By Region

  • North America
    • United States
    • Canada
    • Mexico
  • Europe
    • France
    • United Kingdom
    • Italy
    • Germany
    • Spain
  • Asia Pacific
    • China
    • India
    • Japan
    • Australia
    • South Korea
  • South America
    • Brazil
    • Argentina
    • Colombia
  • Middle East & Africa
    • South Africa
    • Saudi Arabia
    • UAE

Competitive Landscape

Company Profiles: Detailed analysis of the major companies present in the Global Background Music Market.

Available Customizations:

Global Background Music Market report with the given market data, TechSci Research offers customizations according to a company's specific needs. The following customization options are available for the report:

Company Information

  • Detailed analysis and profiling of additional market players (up to five).

Table of Contents

1. Product Overview

  • 1.1. Market Definition
  • 1.2. Scope of the Market
    • 1.2.1. Markets Covered
    • 1.2.2. Years Considered for Study
    • 1.2.3. Key Market Segmentations

2. Research Methodology

  • 2.1. Objective of the Study
  • 2.2. Baseline Methodology
  • 2.3. Key Industry Partners
  • 2.4. Major Association and Secondary Sources
  • 2.5. Forecasting Methodology
  • 2.6. Data Triangulation & Validation
  • 2.7. Assumptions and Limitations

3. Executive Summary

  • 3.1. Overview of the Market
  • 3.2. Overview of Key Market Segmentations
  • 3.3. Overview of Key Market Players
  • 3.4. Overview of Key Regions/Countries
  • 3.5. Overview of Market Drivers, Challenges, Trends

4. Voice of Customer

5. Global Background Music Market Outlook

  • 5.1. Market Size & Forecast
    • 5.1.1. By Value
  • 5.2. Market Share & Forecast
    • 5.2.1. By Delivery Model (Streaming Services, Pre-recorded Music Libraries, Custom Music Composition)
    • 5.2.2. By Licensing Type (Public Performance Rights, Mood & Genre Specific Licensing)
    • 5.2.3. By End-User Industry (Retail Stores, Hospitality Industry, Gyms & Fitness Centers, Offices & Workplaces, Others)
    • 5.2.4. By Technology Platform (Standalone Music Players, Software Applications, Mobile Apps)
    • 5.2.5. By Region
    • 5.2.6. By Company (2025)
  • 5.3. Market Map

6. North America Background Music Market Outlook

  • 6.1. Market Size & Forecast
    • 6.1.1. By Value
  • 6.2. Market Share & Forecast
    • 6.2.1. By Delivery Model
    • 6.2.2. By Licensing Type
    • 6.2.3. By End-User Industry
    • 6.2.4. By Technology Platform
    • 6.2.5. By Country
  • 6.3. North America: Country Analysis
    • 6.3.1. United States Background Music Market Outlook
      • 6.3.1.1. Market Size & Forecast
        • 6.3.1.1.1. By Value
      • 6.3.1.2. Market Share & Forecast
        • 6.3.1.2.1. By Delivery Model
        • 6.3.1.2.2. By Licensing Type
        • 6.3.1.2.3. By End-User Industry
        • 6.3.1.2.4. By Technology Platform
    • 6.3.2. Canada Background Music Market Outlook
      • 6.3.2.1. Market Size & Forecast
        • 6.3.2.1.1. By Value
      • 6.3.2.2. Market Share & Forecast
        • 6.3.2.2.1. By Delivery Model
        • 6.3.2.2.2. By Licensing Type
        • 6.3.2.2.3. By End-User Industry
        • 6.3.2.2.4. By Technology Platform
    • 6.3.3. Mexico Background Music Market Outlook
      • 6.3.3.1. Market Size & Forecast
        • 6.3.3.1.1. By Value
      • 6.3.3.2. Market Share & Forecast
        • 6.3.3.2.1. By Delivery Model
        • 6.3.3.2.2. By Licensing Type
        • 6.3.3.2.3. By End-User Industry
        • 6.3.3.2.4. By Technology Platform

7. Europe Background Music Market Outlook

  • 7.1. Market Size & Forecast
    • 7.1.1. By Value
  • 7.2. Market Share & Forecast
    • 7.2.1. By Delivery Model
    • 7.2.2. By Licensing Type
    • 7.2.3. By End-User Industry
    • 7.2.4. By Technology Platform
    • 7.2.5. By Country
  • 7.3. Europe: Country Analysis
    • 7.3.1. Germany Background Music Market Outlook
      • 7.3.1.1. Market Size & Forecast
        • 7.3.1.1.1. By Value
      • 7.3.1.2. Market Share & Forecast
        • 7.3.1.2.1. By Delivery Model
        • 7.3.1.2.2. By Licensing Type
        • 7.3.1.2.3. By End-User Industry
        • 7.3.1.2.4. By Technology Platform
    • 7.3.2. France Background Music Market Outlook
      • 7.3.2.1. Market Size & Forecast
        • 7.3.2.1.1. By Value
      • 7.3.2.2. Market Share & Forecast
        • 7.3.2.2.1. By Delivery Model
        • 7.3.2.2.2. By Licensing Type
        • 7.3.2.2.3. By End-User Industry
        • 7.3.2.2.4. By Technology Platform
    • 7.3.3. United Kingdom Background Music Market Outlook
      • 7.3.3.1. Market Size & Forecast
        • 7.3.3.1.1. By Value
      • 7.3.3.2. Market Share & Forecast
        • 7.3.3.2.1. By Delivery Model
        • 7.3.3.2.2. By Licensing Type
        • 7.3.3.2.3. By End-User Industry
        • 7.3.3.2.4. By Technology Platform
    • 7.3.4. Italy Background Music Market Outlook
      • 7.3.4.1. Market Size & Forecast
        • 7.3.4.1.1. By Value
      • 7.3.4.2. Market Share & Forecast
        • 7.3.4.2.1. By Delivery Model
        • 7.3.4.2.2. By Licensing Type
        • 7.3.4.2.3. By End-User Industry
        • 7.3.4.2.4. By Technology Platform
    • 7.3.5. Spain Background Music Market Outlook
      • 7.3.5.1. Market Size & Forecast
        • 7.3.5.1.1. By Value
      • 7.3.5.2. Market Share & Forecast
        • 7.3.5.2.1. By Delivery Model
        • 7.3.5.2.2. By Licensing Type
        • 7.3.5.2.3. By End-User Industry
        • 7.3.5.2.4. By Technology Platform

8. Asia Pacific Background Music Market Outlook

  • 8.1. Market Size & Forecast
    • 8.1.1. By Value
  • 8.2. Market Share & Forecast
    • 8.2.1. By Delivery Model
    • 8.2.2. By Licensing Type
    • 8.2.3. By End-User Industry
    • 8.2.4. By Technology Platform
    • 8.2.5. By Country
  • 8.3. Asia Pacific: Country Analysis
    • 8.3.1. China Background Music Market Outlook
      • 8.3.1.1. Market Size & Forecast
        • 8.3.1.1.1. By Value
      • 8.3.1.2. Market Share & Forecast
        • 8.3.1.2.1. By Delivery Model
        • 8.3.1.2.2. By Licensing Type
        • 8.3.1.2.3. By End-User Industry
        • 8.3.1.2.4. By Technology Platform
    • 8.3.2. India Background Music Market Outlook
      • 8.3.2.1. Market Size & Forecast
        • 8.3.2.1.1. By Value
      • 8.3.2.2. Market Share & Forecast
        • 8.3.2.2.1. By Delivery Model
        • 8.3.2.2.2. By Licensing Type
        • 8.3.2.2.3. By End-User Industry
        • 8.3.2.2.4. By Technology Platform
    • 8.3.3. Japan Background Music Market Outlook
      • 8.3.3.1. Market Size & Forecast
        • 8.3.3.1.1. By Value
      • 8.3.3.2. Market Share & Forecast
        • 8.3.3.2.1. By Delivery Model
        • 8.3.3.2.2. By Licensing Type
        • 8.3.3.2.3. By End-User Industry
        • 8.3.3.2.4. By Technology Platform
    • 8.3.4. South Korea Background Music Market Outlook
      • 8.3.4.1. Market Size & Forecast
        • 8.3.4.1.1. By Value
      • 8.3.4.2. Market Share & Forecast
        • 8.3.4.2.1. By Delivery Model
        • 8.3.4.2.2. By Licensing Type
        • 8.3.4.2.3. By End-User Industry
        • 8.3.4.2.4. By Technology Platform
    • 8.3.5. Australia Background Music Market Outlook
      • 8.3.5.1. Market Size & Forecast
        • 8.3.5.1.1. By Value
      • 8.3.5.2. Market Share & Forecast
        • 8.3.5.2.1. By Delivery Model
        • 8.3.5.2.2. By Licensing Type
        • 8.3.5.2.3. By End-User Industry
        • 8.3.5.2.4. By Technology Platform

9. Middle East & Africa Background Music Market Outlook

  • 9.1. Market Size & Forecast
    • 9.1.1. By Value
  • 9.2. Market Share & Forecast
    • 9.2.1. By Delivery Model
    • 9.2.2. By Licensing Type
    • 9.2.3. By End-User Industry
    • 9.2.4. By Technology Platform
    • 9.2.5. By Country
  • 9.3. Middle East & Africa: Country Analysis
    • 9.3.1. Saudi Arabia Background Music Market Outlook
      • 9.3.1.1. Market Size & Forecast
        • 9.3.1.1.1. By Value
      • 9.3.1.2. Market Share & Forecast
        • 9.3.1.2.1. By Delivery Model
        • 9.3.1.2.2. By Licensing Type
        • 9.3.1.2.3. By End-User Industry
        • 9.3.1.2.4. By Technology Platform
    • 9.3.2. UAE Background Music Market Outlook
      • 9.3.2.1. Market Size & Forecast
        • 9.3.2.1.1. By Value
      • 9.3.2.2. Market Share & Forecast
        • 9.3.2.2.1. By Delivery Model
        • 9.3.2.2.2. By Licensing Type
        • 9.3.2.2.3. By End-User Industry
        • 9.3.2.2.4. By Technology Platform
    • 9.3.3. South Africa Background Music Market Outlook
      • 9.3.3.1. Market Size & Forecast
        • 9.3.3.1.1. By Value
      • 9.3.3.2. Market Share & Forecast
        • 9.3.3.2.1. By Delivery Model
        • 9.3.3.2.2. By Licensing Type
        • 9.3.3.2.3. By End-User Industry
        • 9.3.3.2.4. By Technology Platform

10. South America Background Music Market Outlook

  • 10.1. Market Size & Forecast
    • 10.1.1. By Value
  • 10.2. Market Share & Forecast
    • 10.2.1. By Delivery Model
    • 10.2.2. By Licensing Type
    • 10.2.3. By End-User Industry
    • 10.2.4. By Technology Platform
    • 10.2.5. By Country
  • 10.3. South America: Country Analysis
    • 10.3.1. Brazil Background Music Market Outlook
      • 10.3.1.1. Market Size & Forecast
        • 10.3.1.1.1. By Value
      • 10.3.1.2. Market Share & Forecast
        • 10.3.1.2.1. By Delivery Model
        • 10.3.1.2.2. By Licensing Type
        • 10.3.1.2.3. By End-User Industry
        • 10.3.1.2.4. By Technology Platform
    • 10.3.2. Colombia Background Music Market Outlook
      • 10.3.2.1. Market Size & Forecast
        • 10.3.2.1.1. By Value
      • 10.3.2.2. Market Share & Forecast
        • 10.3.2.2.1. By Delivery Model
        • 10.3.2.2.2. By Licensing Type
        • 10.3.2.2.3. By End-User Industry
        • 10.3.2.2.4. By Technology Platform
    • 10.3.3. Argentina Background Music Market Outlook
      • 10.3.3.1. Market Size & Forecast
        • 10.3.3.1.1. By Value
      • 10.3.3.2. Market Share & Forecast
        • 10.3.3.2.1. By Delivery Model
        • 10.3.3.2.2. By Licensing Type
        • 10.3.3.2.3. By End-User Industry
        • 10.3.3.2.4. By Technology Platform

11. Market Dynamics

  • 11.1. Drivers
  • 11.2. Challenges

12. Market Trends & Developments

  • 12.1. Merger & Acquisition (If Any)
  • 12.2. Product Launches (If Any)
  • 12.3. Recent Developments

13. Global Background Music Market: SWOT Analysis

14. Porter's Five Forces Analysis

  • 14.1. Competition in the Industry
  • 14.2. Potential of New Entrants
  • 14.3. Power of Suppliers
  • 14.4. Power of Customers
  • 14.5. Threat of Substitute Products

15. Competitive Landscape

  • 15.1. Mood Media, LLC
    • 15.1.1. Business Overview
    • 15.1.2. Products & Services
    • 15.1.3. Recent Developments
    • 15.1.4. Key Personnel
    • 15.1.5. SWOT Analysis
  • 15.2. Sirius XM Radio Inc.
  • 15.3. Soundtrack Your Brand
  • 15.4. PlayNetwork, Inc.
  • 15.5. Cloud Cover Media, Inc.
  • 15.6. TouchTunes Music Company, LLC
  • 15.7. Qsic, Inc.
  • 15.8. Imagesound Ltd
  • 15.9. CustomChannels.net, LLC
  • 15.10. Rockbot, Inc.

16. Strategic Recommendations

17. About Us & Disclaimer