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市場調查報告書
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2046915

音樂旅遊市場－全球產業規模、佔有率、趨勢、機會和預測：按活動、年齡層、預訂方式、地區和競爭情況分類，2021-2031年

Music Tourism Market - Global Industry Size, Share, Trends, Opportunity, and Forecast, Segmented By Event, By Age Group, By Booking Mode, By Region & Competition, 2021-2031F
出版日期: | 出版商: TechSci Research | 英文 182 Pages | 商品交期: 2-3個工作天內

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簡介目錄

全球音樂旅遊市場預計將從 2025 年的 69.9 億美元大幅成長至 2031 年的 125.3 億美元，複合年成長率將達到 10.22%。

該行業主要服務於前往現場音樂活動（如音樂會和音樂節）或參觀音樂相關歷史遺址的遊客。其成長主要得益於「體驗經濟」的興起，消費者越來越重視獨特的體驗而非有形商品，以及國際音樂節數量的增加，這些都促進了全球旅行。此外，政府主導的旨在推廣文化遺產和發展區域旅遊基礎設施的舉措，也在推動該市場擴張方面發揮重要作用。

市場概覽
預測期： 2027-2031
市場規模：2025年 69.9億美元
市場規模：2031年 125.3億美元
複合年成長率：2026-2031年 10.22%
成長最快的細分市場 直接預訂
最大的市場 北美洲

然而，由於營運和差旅成本飆升，音樂旅遊業面臨嚴峻的挑戰。這些挑戰可能導致票價上漲，從而限制更多觀眾進入市場。這些經濟障礙可能會疏遠價格敏感型消費者，並阻礙整體參與。儘管有這些挑戰，音樂旅遊的經濟重要性依然顯而易見。例如，根據英國音樂協會的報告，到2024年，音樂旅遊將為英國經濟貢獻100億英鎊。

市場促進因素

知名藝人大規模巡迴演出的激增從根本上改變了人們的旅行模式，使演唱會成為國際觀光的重要驅動力。這種現象通常被稱為“追星之旅”，它促使歌迷跨越國界，追尋熱門且往往一票難求的演出，為航空公司和當地酒店業創造了可觀的收入。透過在新的地區進行策略性巡演，藝人可以開拓尚未開發的市場，並透過遊客的湧入直接刺激當地經濟。根據Live Nation Entertainment於2025年2月發布的“2024年第四季度財務業績報告”，預計來年計劃舉辦的體育場演出數量將成長60%，這表明巡演路線正在積極擴張以滿足全球需求。

同時，國際音樂節和實況活動的蓬勃發展為滿足不斷成長的觀​​眾群體提供了必要的配套設施。各大票務平台和表演商正透過數位化整合提升觀眾參與活動的便利性，簡化計畫前往海外參加音樂節的消費者的旅遊安排。這一強大的基礎設施支撐著大量遊客的湧入，並鞏固了該行業在體驗經濟中的關鍵地位。根據CTS Eventim於2025年3月發布的《2024年度報告》，當年線上售票量達1.034億張，展現了強勁的消費需求。這一繁榮景象正為整個產業帶來顯著的經濟效益。 Pollstar於2024年12月發布的《2024年終分析》顯示，全球排名前100的巡演總收入達到創紀錄的95億美元，印證了該市場強勁的經濟成長勢頭。

市場挑戰

營運和差旅成本的上漲是全球音樂旅遊業發展的主要障礙。隨著場地物流、技術製作和國際巡迴藝人相關成本的增加，活動組織者被迫將這些經濟壓力轉嫁給消費者，提高票價。這種定價趨勢構成了一大障礙，實際上將學生和年輕旅行者等價格敏感群體拒之門外，而這些群體歷來是音樂節觀眾的重要組成部分。因此，隨著跨境音樂體驗的經濟可行性下降，市場面臨著觀眾人數成長停滯的風險。

此外，這種供給面的波動會破壞市場穩定性。不斷上漲的固定成本迫使活動組織者縮減規模或徹底取消活動，導致刺激市場旅遊業的關鍵「庫存」損失。 2024年，獨立音樂節協會報告稱，不可預測的成本上漲迫使僅在英國就有超過60個音樂節被取消或延期。當一些知名活動從日程表中消失時，該行業就失去了一個能夠推動區域旅行和消費的關鍵吸引力，直接阻礙了整個音樂旅遊市場的經濟成長動能。

市場趨勢

隨著主辦單位努力減少大型活動對環境的影響，音樂節對永續和環保實踐的採用正在從根本上改變其營運標準。這一趨勢超越了簡單的行銷，涵蓋了嚴格的碳排放審計、淘汰一次性塑膠製品以及舞台製作中向可再生能源的轉型。大型音樂節正日益採用循環經濟原則，例如強制要求供應商使用可生物分解材料，並鼓勵參與者選擇低碳出行方式，以維護社會認可。這種營運模式的轉變體現在整個產業廢棄物回收率的顯著提升。根據「更綠色的未來」（A Greener Future）於2025年4月發布的《2024年度音樂節永續發展洞察報告》，當年全球受訪音樂節的平均回收率上升至49%，顯示實況活動市場正朝著閉合迴路資源管理模式顯著轉變。

此外，每個主辦城市都在策略性地採用「音樂之城品牌」策略，將其作為區域經濟發展的有力工具，將音樂從單純的文化設施轉變為吸引遊客消費的關鍵驅動力。地方政府正透過設立夜間經濟官員、保護歷史場所、制定全年音樂活動行程等方式，將這項策略制度化，以吸引國內外遊客避開音樂節旺季。這些政策主導的舉措使城市能夠利用其音樂遺產振興酒店、交通和零售業，有效地將音樂生態系統融入更廣泛的旅遊總體規劃。這種策略合作的就業影響顯著，遠不止於臨時活動工作人員。 2025年7月，音樂家工會報告稱，英國現場音樂旅遊業在2024年提供了7.2萬個全職工作崗位，這充分證明了將音樂基礎設施融入區域經濟框架的有效性。

目錄

第1章概述

第2章：調查方法

第3章執行摘要

第4章：客戶心聲

第5章：全球音樂旅遊市場展望

  • 市場規模及預測
    • 按金額
  • 市佔率及預測
    • 依活動類型（音樂會、節慶、其他）
    • 依年齡層（18歲以下、18-34歲、34-54歲、55歲以上）
    • 預訂方式（直接預訂、旅行社、線上旅行社）
    • 按地區
    • 按公司（2025 年）
  • 市場地圖

第6章：北美音樂旅遊市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 北美洲：國別分析
    • 美國
    • 加拿大
    • 墨西哥

第7章：歐洲音樂旅遊市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 歐洲：國別分析
    • 德國
    • 法國
    • 英國
    • 義大利
    • 西班牙

第8章：亞太地區音樂旅遊市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 亞太地區：國別分析
    • 中國
    • 印度
    • 日本
    • 韓國
    • 澳洲

第9章：中東與非洲音樂旅遊市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 中東與非洲：國別分析
    • 沙烏地阿拉伯
    • 阿拉伯聯合大公國
    • 南非

第10章：南美洲音樂旅遊市場展望

  • 市場規模及預測
  • 市佔率及預測
  • 南美洲：國別分析
    • 巴西
    • 哥倫比亞
    • 阿根廷

第11章 市場動態

  • 促進因素
  • 任務

第12章 市場趨勢與發展

  • 併購
  • 產品發布

第13章：全球音樂旅遊市場：SWOT分析

第14章：波特五力分析

  • 產業內部的競爭
  • 新進入者的潛力
  • 供應商的議價能力
  • 顧客權力
  • 替代品的威脅

第15章 競爭格局

  • Live Nation Entertainment, Inc.
  • Eventbrite, Inc.
  • Ticketmaster Entertainment, LLC
  • StubHub Holdings, Inc.
  • CTS Eventim AG & Co. KGaA
  • DEAG Deutsche Entertainment AG
  • AEG Presents, LLC
  • SFX Entertainment, Inc.
  • Fever Labs, Inc.
  • Viagogo AG

第16章 策略建議

第17章：關於研究公司及免責聲明

簡介目錄
Product Code: 28556

The global music tourism market is projected to expand significantly, from USD 6.99 billion in 2025 to USD 12.53 billion by 2031, achieving a compound annual growth rate of 10.22%. This industry involves individuals traveling primarily to attend live music events, such as concerts and festivals, or to explore music-related historical sites. Its growth is largely fueled by the rising "experience economy," where consumers prioritize unique events over tangible goods, alongside the increasing number of international music festivals that encourage global travel. Additionally, government-led initiatives aimed at promoting cultural heritage and improving local tourism infrastructure play a crucial role in supporting this market's expansion.

Market Overview
Forecast Period2027-2031
Market Size 2025USD 6.99 Billion
Market Size 2031USD 12.53 Billion
CAGR 2026-203110.22%
Fastest Growing SegmentDirect Booking
Largest MarketNorth America

Nevertheless, the sector faces a significant hurdle due to escalating operational and travel expenses, which can lead to higher ticket prices and limit the market's accessibility to a wider audience. These financial barriers pose a risk of alienating price-sensitive consumers and hindering overall participation. Despite these challenges, the economic importance of music tourism remains clear; for instance, UK Music reported that music tourism contributed 10 billion pounds to the United Kingdom's economy in 2024.

Market Driver

The proliferation of mega-tour circuits by prominent artists has fundamentally altered travel patterns, making concert attendance a key driver for international tourism. This phenomenon, often termed "gig tripping," motivates fans to travel across borders for coveted, often sold-out, performances, thereby generating substantial revenue for airlines and local hospitality sectors. By strategically scheduling these tours in new regions, artists can access untapped markets, directly boosting regional economies through the influx of visitors. Live Nation Entertainment's 'Fourth Quarter 2024 Results' in February 2025 indicated a 60% increase in its stadium show pipeline for the upcoming year, demonstrating the aggressive scaling of tour circuits to meet global demand.

Simultaneously, the growth of international music festivals and live events provides the necessary infrastructure to accommodate this expanding visitor base. Major ticketing platforms and promoters are improving event accessibility through digital integration, simplifying travel logistics for consumers planning to attend festivals abroad. This robust infrastructure supports a high volume of tourists, reinforcing the sector's integral role within the experience economy. According to CTS Eventim's 'Annual Report 2024' in March 2025, 103.4 million tickets were sold online that year, indicating strong consumer demand. This heightened activity translates into considerable financial success across the industry; Pollstar's '2024 Year End Analysis' in December 2024 revealed that the top 100 worldwide tours generated a record gross of $9.5 billion, underscoring the market's strong economic trajectory.

Market Challenge

The increasing burden of operational and travel expenses represents a significant obstacle to the growth of the global music tourism sector. As costs associated with venue logistics, technical production, and international artist tours climb, event organizers are forced to pass these financial pressures onto consumers through elevated ticket prices. This pricing dynamic creates a substantial barrier, effectively excluding price-sensitive groups like students and younger travelers, who traditionally form a large part of the festival audience. Consequently, the market faces potential stagnation in volume growth as the financial feasibility of cross-border music experiences diminishes.

Furthermore, this supply-side volatility undermines market stability, as rising overheads compel event organizers to reduce capacity or outright cancel events, removing crucial inventory that stimulates tourism. In 2024, the Association of Independent Festivals reported that unpredictable rising costs led to the cancellation or postponement of over 60 festivals in the United Kingdom alone. When established events vanish from the calendar, the sector loses vital attractions that drive regional travel and spending, directly impeding the broader economic momentum of the music tourism market.

Market Trends

The adoption of sustainable and eco-conscious initiatives by festivals is fundamentally transforming operational benchmarks as organizers strive to reduce the environmental impact of large-scale events. This trend extends beyond mere marketing, incorporating stringent carbon auditing, the elimination of single-use plastics, and the conversion to renewable energy sources for stage productions. Increasingly, major festivals are implementing circular economy principles, requiring vendors to use compostable materials and encouraging attendees to opt for low-carbon travel to maintain their social license to operate. This operational evolution is reflected in measurable improvements in waste diversion across the sector. A Greener Future's 'Annual Festival Sustainability Insights 2024' report, released in April 2025, showed that the average recycling rate among assessed global festivals rose to 49% for the year, indicating a clear shift towards closed-loop resource management within the live events market.

Additionally, destinations are strategically adopting "Music City Branding" as a potent tool for regional economic development, repositioning music from a cultural amenity to a primary driver of visitor spending. Municipalities are formalizing this approach by appointing dedicated night-time economy officers, preserving historic venues, and curating year-round music calendars to attract both domestic and international visitors outside of peak festival seasons. This policy-driven focus enables cities to leverage their musical heritage to boost hospitality, transport, and retail sectors, effectively integrating music ecosystems into broader tourism master plans. The employment impact of this strategic alignment is significant, extending beyond temporary event staff; The Musicians' Union reported in July 2025 that the live music tourism sector supported 72,000 full-time equivalent jobs in the UK in 2024, confirming the effectiveness of embedding music infrastructure into local economic frameworks.

Key Market Players

  • Live Nation Entertainment, Inc.
  • Eventbrite, Inc.
  • Ticketmaster Entertainment, LLC
  • StubHub Holdings, Inc.
  • CTS Eventim AG & Co. KGaA
  • DEAG Deutsche Entertainment AG
  • AEG Presents, LLC
  • SFX Entertainment, Inc.
  • Fever Labs, Inc.
  • Viagogo AG

Report Scope

In this report, the Global Music Tourism Market has been segmented into the following categories, in addition to the industry trends which have also been detailed below:

Music Tourism Market, By Event

  • Concert
  • Festival
  • Others

Music Tourism Market, By Age Group

  • 18 And Less
  • 18 - 34 Years
  • 34 - 54 Years
  • 55+ Years

Music Tourism Market, By Booking Mode

  • Direct Booking
  • Travel Agents
  • Online Travel Agencies

Music Tourism Market, By Region

  • North America
    • United States
    • Canada
    • Mexico
  • Europe
    • France
    • United Kingdom
    • Italy
    • Germany
    • Spain
  • Asia Pacific
    • China
    • India
    • Japan
    • Australia
    • South Korea
  • South America
    • Brazil
    • Argentina
    • Colombia
  • Middle East & Africa
    • South Africa
    • Saudi Arabia
    • UAE

Competitive Landscape

Company Profiles: Detailed analysis of the major companies present in the Global Music Tourism Market.

Available Customizations:

Global Music Tourism Market report with the given market data, TechSci Research offers customizations according to a company's specific needs. The following customization options are available for the report:

Company Information

  • Detailed analysis and profiling of additional market players (up to five).

Table of Contents

1. Product Overview

  • 1.1. Market Definition
  • 1.2. Scope of the Market
    • 1.2.1. Markets Covered
    • 1.2.2. Years Considered for Study
    • 1.2.3. Key Market Segmentations

2. Research Methodology

  • 2.1. Objective of the Study
  • 2.2. Baseline Methodology
  • 2.3. Key Industry Partners
  • 2.4. Major Association and Secondary Sources
  • 2.5. Forecasting Methodology
  • 2.6. Data Triangulation & Validation
  • 2.7. Assumptions and Limitations

3. Executive Summary

  • 3.1. Overview of the Market
  • 3.2. Overview of Key Market Segmentations
  • 3.3. Overview of Key Market Players
  • 3.4. Overview of Key Regions/Countries
  • 3.5. Overview of Market Drivers, Challenges, Trends

4. Voice of Customer

5. Global Music Tourism Market Outlook

  • 5.1. Market Size & Forecast
    • 5.1.1. By Value
  • 5.2. Market Share & Forecast
    • 5.2.1. By Event (Concert, Festival, Others)
    • 5.2.2. By Age Group (18 And Less, 18 - 34 Years, 34 - 54 Years, 55+ Years)
    • 5.2.3. By Booking Mode (Direct Booking, Travel Agents, Online Travel Agencies)
    • 5.2.4. By Region
    • 5.2.5. By Company (2025)
  • 5.3. Market Map

6. North America Music Tourism Market Outlook

  • 6.1. Market Size & Forecast
    • 6.1.1. By Value
  • 6.2. Market Share & Forecast
    • 6.2.1. By Event
    • 6.2.2. By Age Group
    • 6.2.3. By Booking Mode
    • 6.2.4. By Country
  • 6.3. North America: Country Analysis
    • 6.3.1. United States Music Tourism Market Outlook
      • 6.3.1.1. Market Size & Forecast
        • 6.3.1.1.1. By Value
      • 6.3.1.2. Market Share & Forecast
        • 6.3.1.2.1. By Event
        • 6.3.1.2.2. By Age Group
        • 6.3.1.2.3. By Booking Mode
    • 6.3.2. Canada Music Tourism Market Outlook
      • 6.3.2.1. Market Size & Forecast
        • 6.3.2.1.1. By Value
      • 6.3.2.2. Market Share & Forecast
        • 6.3.2.2.1. By Event
        • 6.3.2.2.2. By Age Group
        • 6.3.2.2.3. By Booking Mode
    • 6.3.3. Mexico Music Tourism Market Outlook
      • 6.3.3.1. Market Size & Forecast
        • 6.3.3.1.1. By Value
      • 6.3.3.2. Market Share & Forecast
        • 6.3.3.2.1. By Event
        • 6.3.3.2.2. By Age Group
        • 6.3.3.2.3. By Booking Mode

7. Europe Music Tourism Market Outlook

  • 7.1. Market Size & Forecast
    • 7.1.1. By Value
  • 7.2. Market Share & Forecast
    • 7.2.1. By Event
    • 7.2.2. By Age Group
    • 7.2.3. By Booking Mode
    • 7.2.4. By Country
  • 7.3. Europe: Country Analysis
    • 7.3.1. Germany Music Tourism Market Outlook
      • 7.3.1.1. Market Size & Forecast
        • 7.3.1.1.1. By Value
      • 7.3.1.2. Market Share & Forecast
        • 7.3.1.2.1. By Event
        • 7.3.1.2.2. By Age Group
        • 7.3.1.2.3. By Booking Mode
    • 7.3.2. France Music Tourism Market Outlook
      • 7.3.2.1. Market Size & Forecast
        • 7.3.2.1.1. By Value
      • 7.3.2.2. Market Share & Forecast
        • 7.3.2.2.1. By Event
        • 7.3.2.2.2. By Age Group
        • 7.3.2.2.3. By Booking Mode
    • 7.3.3. United Kingdom Music Tourism Market Outlook
      • 7.3.3.1. Market Size & Forecast
        • 7.3.3.1.1. By Value
      • 7.3.3.2. Market Share & Forecast
        • 7.3.3.2.1. By Event
        • 7.3.3.2.2. By Age Group
        • 7.3.3.2.3. By Booking Mode
    • 7.3.4. Italy Music Tourism Market Outlook
      • 7.3.4.1. Market Size & Forecast
        • 7.3.4.1.1. By Value
      • 7.3.4.2. Market Share & Forecast
        • 7.3.4.2.1. By Event
        • 7.3.4.2.2. By Age Group
        • 7.3.4.2.3. By Booking Mode
    • 7.3.5. Spain Music Tourism Market Outlook
      • 7.3.5.1. Market Size & Forecast
        • 7.3.5.1.1. By Value
      • 7.3.5.2. Market Share & Forecast
        • 7.3.5.2.1. By Event
        • 7.3.5.2.2. By Age Group
        • 7.3.5.2.3. By Booking Mode

8. Asia Pacific Music Tourism Market Outlook

  • 8.1. Market Size & Forecast
    • 8.1.1. By Value
  • 8.2. Market Share & Forecast
    • 8.2.1. By Event
    • 8.2.2. By Age Group
    • 8.2.3. By Booking Mode
    • 8.2.4. By Country
  • 8.3. Asia Pacific: Country Analysis
    • 8.3.1. China Music Tourism Market Outlook
      • 8.3.1.1. Market Size & Forecast
        • 8.3.1.1.1. By Value
      • 8.3.1.2. Market Share & Forecast
        • 8.3.1.2.1. By Event
        • 8.3.1.2.2. By Age Group
        • 8.3.1.2.3. By Booking Mode
    • 8.3.2. India Music Tourism Market Outlook
      • 8.3.2.1. Market Size & Forecast
        • 8.3.2.1.1. By Value
      • 8.3.2.2. Market Share & Forecast
        • 8.3.2.2.1. By Event
        • 8.3.2.2.2. By Age Group
        • 8.3.2.2.3. By Booking Mode
    • 8.3.3. Japan Music Tourism Market Outlook
      • 8.3.3.1. Market Size & Forecast
        • 8.3.3.1.1. By Value
      • 8.3.3.2. Market Share & Forecast
        • 8.3.3.2.1. By Event
        • 8.3.3.2.2. By Age Group
        • 8.3.3.2.3. By Booking Mode
    • 8.3.4. South Korea Music Tourism Market Outlook
      • 8.3.4.1. Market Size & Forecast
        • 8.3.4.1.1. By Value
      • 8.3.4.2. Market Share & Forecast
        • 8.3.4.2.1. By Event
        • 8.3.4.2.2. By Age Group
        • 8.3.4.2.3. By Booking Mode
    • 8.3.5. Australia Music Tourism Market Outlook
      • 8.3.5.1. Market Size & Forecast
        • 8.3.5.1.1. By Value
      • 8.3.5.2. Market Share & Forecast
        • 8.3.5.2.1. By Event
        • 8.3.5.2.2. By Age Group
        • 8.3.5.2.3. By Booking Mode

9. Middle East & Africa Music Tourism Market Outlook

  • 9.1. Market Size & Forecast
    • 9.1.1. By Value
  • 9.2. Market Share & Forecast
    • 9.2.1. By Event
    • 9.2.2. By Age Group
    • 9.2.3. By Booking Mode
    • 9.2.4. By Country
  • 9.3. Middle East & Africa: Country Analysis
    • 9.3.1. Saudi Arabia Music Tourism Market Outlook
      • 9.3.1.1. Market Size & Forecast
        • 9.3.1.1.1. By Value
      • 9.3.1.2. Market Share & Forecast
        • 9.3.1.2.1. By Event
        • 9.3.1.2.2. By Age Group
        • 9.3.1.2.3. By Booking Mode
    • 9.3.2. UAE Music Tourism Market Outlook
      • 9.3.2.1. Market Size & Forecast
        • 9.3.2.1.1. By Value
      • 9.3.2.2. Market Share & Forecast
        • 9.3.2.2.1. By Event
        • 9.3.2.2.2. By Age Group
        • 9.3.2.2.3. By Booking Mode
    • 9.3.3. South Africa Music Tourism Market Outlook
      • 9.3.3.1. Market Size & Forecast
        • 9.3.3.1.1. By Value
      • 9.3.3.2. Market Share & Forecast
        • 9.3.3.2.1. By Event
        • 9.3.3.2.2. By Age Group
        • 9.3.3.2.3. By Booking Mode

10. South America Music Tourism Market Outlook

  • 10.1. Market Size & Forecast
    • 10.1.1. By Value
  • 10.2. Market Share & Forecast
    • 10.2.1. By Event
    • 10.2.2. By Age Group
    • 10.2.3. By Booking Mode
    • 10.2.4. By Country
  • 10.3. South America: Country Analysis
    • 10.3.1. Brazil Music Tourism Market Outlook
      • 10.3.1.1. Market Size & Forecast
        • 10.3.1.1.1. By Value
      • 10.3.1.2. Market Share & Forecast
        • 10.3.1.2.1. By Event
        • 10.3.1.2.2. By Age Group
        • 10.3.1.2.3. By Booking Mode
    • 10.3.2. Colombia Music Tourism Market Outlook
      • 10.3.2.1. Market Size & Forecast
        • 10.3.2.1.1. By Value
      • 10.3.2.2. Market Share & Forecast
        • 10.3.2.2.1. By Event
        • 10.3.2.2.2. By Age Group
        • 10.3.2.2.3. By Booking Mode
    • 10.3.3. Argentina Music Tourism Market Outlook
      • 10.3.3.1. Market Size & Forecast
        • 10.3.3.1.1. By Value
      • 10.3.3.2. Market Share & Forecast
        • 10.3.3.2.1. By Event
        • 10.3.3.2.2. By Age Group
        • 10.3.3.2.3. By Booking Mode

11. Market Dynamics

  • 11.1. Drivers
  • 11.2. Challenges

12. Market Trends & Developments

  • 12.1. Merger & Acquisition (If Any)
  • 12.2. Product Launches (If Any)
  • 12.3. Recent Developments

13. Global Music Tourism Market: SWOT Analysis

14. Porter's Five Forces Analysis

  • 14.1. Competition in the Industry
  • 14.2. Potential of New Entrants
  • 14.3. Power of Suppliers
  • 14.4. Power of Customers
  • 14.5. Threat of Substitute Products

15. Competitive Landscape

  • 15.1. Live Nation Entertainment, Inc.
    • 15.1.1. Business Overview
    • 15.1.2. Products & Services
    • 15.1.3. Recent Developments
    • 15.1.4. Key Personnel
    • 15.1.5. SWOT Analysis
  • 15.2. Eventbrite, Inc.
  • 15.3. Ticketmaster Entertainment, LLC
  • 15.4. StubHub Holdings, Inc.
  • 15.5. CTS Eventim AG & Co. KGaA
  • 15.6. DEAG Deutsche Entertainment AG
  • 15.7. AEG Presents, LLC
  • 15.8. SFX Entertainment, Inc.
  • 15.9. Fever Labs, Inc.
  • 15.10. Viagogo AG

16. Strategic Recommendations

17. About Us & Disclaimer