查看購物車
  • Simplified Chinese
  • English
  • Japanese
封面
市場調查報告書
商品編碼
1862204

音樂推廣軟體：全球市場佔有率和排名、總收入和需求預測（2025-2031 年）

Music Promoter Software - Global Market Share and Ranking, Overall Sales and Demand Forecast 2025-2031
出版日期: | 出版商: QYResearch | 英文 108 Pages | 商品交期: 2-3個工作天內

價格

※ 本網頁內容可能與最新版本有所差異。詳細情況請與我們聯繫。

全球音樂推廣軟體市場預計在 2024 年達到 1.97 億美元，預計到 2031 年將達到 4.36 億美元，在預測期（2025-2031 年）內以 11.9% 的複合年成長率成長。

音樂推廣軟體是指音樂推廣商主要用來宣傳推廣即將舉行的實況活動和演唱會的軟體工具、平台和行動應用程式。它們幫助音樂推廣商組織演出、預訂樂隊和藝人、宣傳演出以吸引付費觀眾並增加收入。

全球主要的音樂推廣軟體公司包括 Bandsintown、Eventbrite、Prism、Beatswitch、EventBooking（PromoterOps）等。前五大公司約佔總市佔率的 52%。北美是音樂推廣軟體最大的消費市場，約佔 68%，其次是歐洲。按類型分類，Bandsintown 佔據最大市場佔有率，超過 17%。按應用領域分類，大型企業市佔率最大，其次是中小企業。

音樂推廣軟體市場的發展動力源自於音樂產業本身的快速轉型。從實體唱片銷售和下載到串流媒體的轉變，造就了一個複雜、數據驅動且競爭激烈的環境，藝術家和唱片公司迫切需要工具來在大量資訊中脫穎而出。

音樂推廣軟體市場的促進因素：

1. 音樂產業的結構性變化

這是產生此類軟體需求的根本原因。

主流串流平台：整個產業都圍繞著Spotify、Apple Music、Amazon Music和YouTube等平台運作。成功與否取決於播放量、歌單添加量和演算法偏好度。推廣軟體正是為駕馭和影響這些生態系統而設計的。

音樂製作的「民主化」：高品質錄音和製作設備的價格分佈普及，使得每天發布的藝人和歌曲數量激增（每天都有數萬首歌曲上傳到串流平台）。這種飽和狀態使得專業推廣不再是奢侈品，而是獲得認可的必需品。

傳統安全隔離網閘的衰落：歌單成為新的安全隔離網閘，而電台DJ和大型唱片公司A&R團隊等傳統權威機構的影響力則有所下降。獨立音樂人和唱片公司現在可以直接接觸到各種工具和受眾，但軟體對於有效執行他們的策略至關重要。

2. 數據驅動決策的重要性

依靠猜測晉升的時代已經過去。如今，成功是透過數據來衡量和最佳化的。

了解你的聽眾：推廣者和​​藝術家需要了解其受眾的確切人口統計資訊（年齡、性別、居住、喜歡的音樂類型等）。軟體提供的分析深度遠遠超過了串流平台提供的基本數據。

衡量宣傳活動投資報酬率：唱片公司和藝人需要了解他們的行銷投入是否有效。軟體工具可以追蹤宣傳活動的成功情況，將投入與實際成果（例如播放量或粉絲數的激增）聯繫起來，從而證明行銷預算的合理性。

發現成長機會：分析可以揭示未開發的市場（例如，某些城市或國家意外流行的歌曲），並實現有針對性的推廣活動，如本地化播放清單和社交媒體廣告。

本報告旨在按地區/國家、類型和應用對全球音樂推廣軟體市場進行全面分析，重點關注總收入、市場佔有率和主要企業的排名。

本報告以2024年為基準年，按銷售收入提供音樂推廣軟體市場規模、估算和預測，並包含2020年至2031年的歷史數據和預測數據。透過定量和定性分析，我們幫助讀者制定業務/成長策略，評估市場競爭格局，分析自身在當前市場中的地位，並就音樂推廣軟體做出明智的商業決策。

市場區隔

公司

  • Prism
  • Muzeek
  • Gigwell
  • Soundcharts
  • Beatswitch
  • Eventbrite
  • Sonicbids
  • Bandsintown
  • Groover
  • Landr
  • Symphonic
  • DISCO

按類型分類的細分市場

  • 雲端基礎的
  • 基於網路的

應用領域

  • 主要企業
  • 小型企業

按地區

  • 北美洲
    • 美國
    • 加拿大
  • 亞太地區
    • 中國
    • 日本
    • 韓國
    • 東南亞
    • 印度
    • 澳洲
    • 亞太其他地區
  • 歐洲
    • 德國
    • 法國
    • 英國
    • 義大利
    • 荷蘭
    • 北歐國家
    • 其他歐洲
  • 拉丁美洲
    • 墨西哥
    • 巴西
    • 其他拉丁美洲
  • 中東和非洲
    • 土耳其
    • 沙烏地阿拉伯
    • 阿拉伯聯合大公國
    • 其他中東和非洲地區

The global market for Music Promoter Software was estimated to be worth US$ 197 million in 2024 and is forecast to a readjusted size of US$ 436 million by 2031 with a CAGR of 11.9% during the forecast period 2025-2031.

Music Promoter Software refers the software tools and platforms, mobile apps that mainly used by music promoters to publicise and promote upcoming music live events and concerts activities, it helps Music Promoters to organize gigs, book bands or artists and advertise the shows to bring in paying attendees and profits.

The main global Music Promoter Software players include Bandsintown, Eventbrite, Prism, Beatswitch, EventBooking(PromoterOps), etc. The top five Music Promoter Software players account for approximately 52% of the total market. North America is the largest consumer market for Music Promoter Software, accounting for about 68%, followed by Europe. In terms of type, Bandsintown is the largest segment, with a share over 17%. And in terms of application, the largest application is Large Enterprises, followed by SMEs.

The Music Promoter Software market is driven by the radical transformation of the music industry itself. The shift from physical sales and downloads to streaming has created a complex, data-driven, and highly competitive environment where artists and labels desperately need tools to cut through the noise.

Music Promoter Software market drivers:

1. The Fundamental Shift in the Music Industry Landscape

This is the overarching driver creating the need for such software.

The Dominance of Streaming Platforms: The entire industry now revolves around platforms like Spotify, Apple Music, Amazon Music, and YouTube. Success is measured in streams, playlist adds, and algorithmic favor. Promoter software is specifically designed to navigate and influence these ecosystems.

The "Democratization" of Music Production: High-quality recording and production equipment is now affordable. This has led to an exponential increase in the number of artists and songs released every day (tens of thousands of tracks are uploaded to streaming services daily). This creates an intense saturation where professional promotion is no longer a luxury but a necessity to be discovered.

The Decline of Traditional Gatekeepers: While playlists are the new gatekeepers, the traditional power of radio DJs and major label A&R teams has diminished. Independent artists and labels now have direct access to tools and audiences, but they need software to execute strategies effectively.

2. The Critical Need for Data-Driven Decision Making

Gone are the days of gut-feeling promotions. Success is now measured and optimized with data.

Understanding Listeners: Promoters and artists need to know exactly who their audience is-age, gender, location, and what other music they like. Software provides this analytics depth far beyond the basic numbers a streaming platform might show.

Measuring Campaign ROI: Labels and artists need to know if their marketing spend is working. Software tools track campaign performance, link efforts to specific outcomes (like a surge in streams or followers), and justify marketing budgets.

Identifying Growth Opportunities: Analytics can reveal untapped markets (e.g., "your song is unexpectedly popular in a specific city or country"), allowing for targeted promotional efforts like geo-focused playlisting or social media ads.

This report aims to provide a comprehensive presentation of the global market for Music Promoter Software, focusing on the total sales revenue, key companies market share and ranking, together with an analysis of Music Promoter Software by region & country, by Type, and by Application.

The Music Promoter Software market size, estimations, and forecasts are provided in terms of sales revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Music Promoter Software.

Market Segmentation

By Company

  • Prism
  • Muzeek
  • Gigwell
  • Soundcharts
  • Beatswitch
  • Eventbrite
  • Sonicbids
  • Bandsintown
  • Groover
  • Landr
  • Symphonic
  • DISCO

Segment by Type

  • Cloud-based
  • Web-based

Segment by Application

  • Large Enterprises
  • SMEs

By Region

  • North America
    • United States
    • Canada
  • Asia-Pacific
    • China
    • Japan
    • South Korea
    • Southeast Asia
    • India
    • Australia
    • Rest of Asia-Pacific
  • Europe
    • Germany
    • France
    • U.K.
    • Italy
    • Netherlands
    • Nordic Countries
    • Rest of Europe
  • Latin America
    • Mexico
    • Brazil
    • Rest of Latin America
  • Middle East & Africa
    • Turkey
    • Saudi Arabia
    • UAE
    • Rest of MEA

Chapter Outline

Chapter 1: Introduces the report scope of the report, global total market size. This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.

Chapter 2: Detailed analysis of Music Promoter Software company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.

Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.

Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.

Chapter 5: Revenue of Music Promoter Software in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.

Chapter 6: Revenue of Music Promoter Software in country level. It provides sigmate data by Type, and by Application for each country/region.

Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product revenue, gross margin, product introduction, recent development, etc.

Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.

Chapter 9: Conclusion.

Table of Contents

1 Market Overview

  • 1.1 Music Promoter Software Product Introduction
  • 1.2 Global Music Promoter Software Market Size Forecast (2020-2031)
  • 1.3 Music Promoter Software Market Trends & Drivers
    • 1.3.1 Music Promoter Software Industry Trends
    • 1.3.2 Music Promoter Software Market Drivers & Opportunity
    • 1.3.3 Music Promoter Software Market Challenges
    • 1.3.4 Music Promoter Software Market Restraints
  • 1.4 Assumptions and Limitations
  • 1.5 Study Objectives
  • 1.6 Years Considered

2 Competitive Analysis by Company

  • 2.1 Global Music Promoter Software Players Revenue Ranking (2024)
  • 2.2 Global Music Promoter Software Revenue by Company (2020-2025)
  • 2.3 Key Companies Music Promoter Software Manufacturing Base Distribution and Headquarters
  • 2.4 Key Companies Music Promoter Software Product Offered
  • 2.5 Key Companies Time to Begin Mass Production of Music Promoter Software
  • 2.6 Music Promoter Software Market Competitive Analysis
    • 2.6.1 Music Promoter Software Market Concentration Rate (2020-2025)
    • 2.6.2 Global 5 and 10 Largest Companies by Music Promoter Software Revenue in 2024
    • 2.6.3 Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Music Promoter Software as of 2024)
  • 2.7 Mergers & Acquisitions, Expansion

3 Segmentation by Type

  • 3.1 Introduction by Type
    • 3.1.1 Cloud-based
    • 3.1.2 Web-based
  • 3.2 Global Music Promoter Software Sales Value by Type
    • 3.2.1 Global Music Promoter Software Sales Value by Type (2020 VS 2024 VS 2031)
    • 3.2.2 Global Music Promoter Software Sales Value, by Type (2020-2031)
    • 3.2.3 Global Music Promoter Software Sales Value, by Type (%) (2020-2031)

4 Segmentation by Application

  • 4.1 Introduction by Application
    • 4.1.1 Large Enterprises
    • 4.1.2 SMEs
  • 4.2 Global Music Promoter Software Sales Value by Application
    • 4.2.1 Global Music Promoter Software Sales Value by Application (2020 VS 2024 VS 2031)
    • 4.2.2 Global Music Promoter Software Sales Value, by Application (2020-2031)
    • 4.2.3 Global Music Promoter Software Sales Value, by Application (%) (2020-2031)

5 Segmentation by Region

  • 5.1 Global Music Promoter Software Sales Value by Region
    • 5.1.1 Global Music Promoter Software Sales Value by Region: 2020 VS 2024 VS 2031
    • 5.1.2 Global Music Promoter Software Sales Value by Region (2020-2025)
    • 5.1.3 Global Music Promoter Software Sales Value by Region (2026-2031)
    • 5.1.4 Global Music Promoter Software Sales Value by Region (%), (2020-2031)
  • 5.2 North America
    • 5.2.1 North America Music Promoter Software Sales Value, 2020-2031
    • 5.2.2 North America Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • 5.3 Europe
    • 5.3.1 Europe Music Promoter Software Sales Value, 2020-2031
    • 5.3.2 Europe Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • 5.4 Asia Pacific
    • 5.4.1 Asia Pacific Music Promoter Software Sales Value, 2020-2031
    • 5.4.2 Asia Pacific Music Promoter Software Sales Value by Region (%), 2024 VS 2031
  • 5.5 South America
    • 5.5.1 South America Music Promoter Software Sales Value, 2020-2031
    • 5.5.2 South America Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • 5.6 Middle East & Africa
    • 5.6.1 Middle East & Africa Music Promoter Software Sales Value, 2020-2031
    • 5.6.2 Middle East & Africa Music Promoter Software Sales Value by Country (%), 2024 VS 2031

6 Segmentation by Key Countries/Regions

  • 6.1 Key Countries/Regions Music Promoter Software Sales Value Growth Trends, 2020 VS 2024 VS 2031
  • 6.2 Key Countries/Regions Music Promoter Software Sales Value, 2020-2031
  • 6.3 United States
    • 6.3.1 United States Music Promoter Software Sales Value, 2020-2031
    • 6.3.2 United States Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.3.3 United States Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.4 Europe
    • 6.4.1 Europe Music Promoter Software Sales Value, 2020-2031
    • 6.4.2 Europe Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.4.3 Europe Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.5 China
    • 6.5.1 China Music Promoter Software Sales Value, 2020-2031
    • 6.5.2 China Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.5.3 China Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.6 Japan
    • 6.6.1 Japan Music Promoter Software Sales Value, 2020-2031
    • 6.6.2 Japan Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.6.3 Japan Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.7 South Korea
    • 6.7.1 South Korea Music Promoter Software Sales Value, 2020-2031
    • 6.7.2 South Korea Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.7.3 South Korea Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.8 Southeast Asia
    • 6.8.1 Southeast Asia Music Promoter Software Sales Value, 2020-2031
    • 6.8.2 Southeast Asia Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.8.3 Southeast Asia Music Promoter Software Sales Value by Application, 2024 VS 2031
  • 6.9 India
    • 6.9.1 India Music Promoter Software Sales Value, 2020-2031
    • 6.9.2 India Music Promoter Software Sales Value by Type (%), 2024 VS 2031
    • 6.9.3 India Music Promoter Software Sales Value by Application, 2024 VS 2031

7 Company Profiles

  • 7.1 Prism
    • 7.1.1 Prism Profile
    • 7.1.2 Prism Main Business
    • 7.1.3 Prism Music Promoter Software Products, Services and Solutions
    • 7.1.4 Prism Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.1.5 Prism Recent Developments
  • 7.2 Muzeek
    • 7.2.1 Muzeek Profile
    • 7.2.2 Muzeek Main Business
    • 7.2.3 Muzeek Music Promoter Software Products, Services and Solutions
    • 7.2.4 Muzeek Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.2.5 Muzeek Recent Developments
  • 7.3 Gigwell
    • 7.3.1 Gigwell Profile
    • 7.3.2 Gigwell Main Business
    • 7.3.3 Gigwell Music Promoter Software Products, Services and Solutions
    • 7.3.4 Gigwell Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.3.5 Gigwell Recent Developments
  • 7.4 Soundcharts
    • 7.4.1 Soundcharts Profile
    • 7.4.2 Soundcharts Main Business
    • 7.4.3 Soundcharts Music Promoter Software Products, Services and Solutions
    • 7.4.4 Soundcharts Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.4.5 Soundcharts Recent Developments
  • 7.5 Beatswitch
    • 7.5.1 Beatswitch Profile
    • 7.5.2 Beatswitch Main Business
    • 7.5.3 Beatswitch Music Promoter Software Products, Services and Solutions
    • 7.5.4 Beatswitch Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.5.5 Beatswitch Recent Developments
  • 7.6 Eventbrite
    • 7.6.1 Eventbrite Profile
    • 7.6.2 Eventbrite Main Business
    • 7.6.3 Eventbrite Music Promoter Software Products, Services and Solutions
    • 7.6.4 Eventbrite Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.6.5 Eventbrite Recent Developments
  • 7.7 Sonicbids
    • 7.7.1 Sonicbids Profile
    • 7.7.2 Sonicbids Main Business
    • 7.7.3 Sonicbids Music Promoter Software Products, Services and Solutions
    • 7.7.4 Sonicbids Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.7.5 Sonicbids Recent Developments
  • 7.8 Bandsintown
    • 7.8.1 Bandsintown Profile
    • 7.8.2 Bandsintown Main Business
    • 7.8.3 Bandsintown Music Promoter Software Products, Services and Solutions
    • 7.8.4 Bandsintown Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.8.5 Bandsintown Recent Developments
  • 7.9 Groover
    • 7.9.1 Groover Profile
    • 7.9.2 Groover Main Business
    • 7.9.3 Groover Music Promoter Software Products, Services and Solutions
    • 7.9.4 Groover Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.9.5 Groover Recent Developments
  • 7.10 Landr
    • 7.10.1 Landr Profile
    • 7.10.2 Landr Main Business
    • 7.10.3 Landr Music Promoter Software Products, Services and Solutions
    • 7.10.4 Landr Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.10.5 Landr Recent Developments
  • 7.11 Symphonic
    • 7.11.1 Symphonic Profile
    • 7.11.2 Symphonic Main Business
    • 7.11.3 Symphonic Music Promoter Software Products, Services and Solutions
    • 7.11.4 Symphonic Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.11.5 Symphonic Recent Developments
  • 7.12 DISCO
    • 7.12.1 DISCO Profile
    • 7.12.2 DISCO Main Business
    • 7.12.3 DISCO Music Promoter Software Products, Services and Solutions
    • 7.12.4 DISCO Music Promoter Software Revenue (US$ Million) & (2020-2025)
    • 7.12.5 DISCO Recent Developments

8 Industry Chain Analysis

  • 8.1 Music Promoter Software Industrial Chain
  • 8.2 Music Promoter Software Upstream Analysis
    • 8.2.1 Key Raw Materials
    • 8.2.2 Raw Materials Key Suppliers
    • 8.2.3 Manufacturing Cost Structure
  • 8.3 Midstream Analysis
  • 8.4 Downstream Analysis (Customers Analysis)
  • 8.5 Sales Model and Sales Channels
    • 8.5.1 Music Promoter Software Sales Model
    • 8.5.2 Sales Channel
    • 8.5.3 Music Promoter Software Distributors

9 Research Findings and Conclusion

10 Appendix

  • 10.1 Research Methodology
    • 10.1.1 Methodology/Research Approach
      • 10.1.1.1 Research Programs/Design
      • 10.1.1.2 Market Size Estimation
      • 10.1.1.3 Market Breakdown and Data Triangulation
    • 10.1.2 Data Source
      • 10.1.2.1 Secondary Sources
      • 10.1.2.2 Primary Sources
  • 10.2 Author Details
  • 10.3 Disclaimer

List of Tables

  • Table 1. Music Promoter Software Market Trends
  • Table 2. Music Promoter Software Market Drivers & Opportunity
  • Table 3. Music Promoter Software Market Challenges
  • Table 4. Music Promoter Software Market Restraints
  • Table 5. Global Music Promoter Software Revenue by Company (2020-2025) & (US$ Million)
  • Table 6. Global Music Promoter Software Revenue Market Share by Company (2020-2025)
  • Table 7. Key Companies Music Promoter Software Manufacturing Base Distribution and Headquarters
  • Table 8. Key Companies Music Promoter Software Product Type
  • Table 9. Key Companies Time to Begin Mass Production of Music Promoter Software
  • Table 10. Global Music Promoter Software Companies Market Concentration Ratio (CR5 and HHI)
  • Table 11. Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Music Promoter Software as of 2024)
  • Table 12. Mergers & Acquisitions, Expansion Plans
  • Table 13. Global Music Promoter Software Sales Value by Type: 2020 VS 2024 VS 2031 (US$ Million)
  • Table 14. Global Music Promoter Software Sales Value by Type (2020-2025) & (US$ Million)
  • Table 15. Global Music Promoter Software Sales Value by Type (2026-2031) & (US$ Million)
  • Table 16. Global Music Promoter Software Sales Market Share in Value by Type (2020-2025)
  • Table 17. Global Music Promoter Software Sales Market Share in Value by Type (2026-2031)
  • Table 18. Global Music Promoter Software Sales Value by Application: 2020 VS 2024 VS 2031 (US$ Million)
  • Table 19. Global Music Promoter Software Sales Value by Application (2020-2025) & (US$ Million)
  • Table 20. Global Music Promoter Software Sales Value by Application (2026-2031) & (US$ Million)
  • Table 21. Global Music Promoter Software Sales Market Share in Value by Application (2020-2025)
  • Table 22. Global Music Promoter Software Sales Market Share in Value by Application (2026-2031)
  • Table 23. Global Music Promoter Software Sales Value by Region, (2020 VS 2024 VS 2031) & (US$ Million)
  • Table 24. Global Music Promoter Software Sales Value by Region (2020-2025) & (US$ Million)
  • Table 25. Global Music Promoter Software Sales Value by Region (2026-2031) & (US$ Million)
  • Table 26. Global Music Promoter Software Sales Value by Region (2020-2025) & (%)
  • Table 27. Global Music Promoter Software Sales Value by Region (2026-2031) & (%)
  • Table 28. Key Countries/Regions Music Promoter Software Sales Value Growth Trends, (US$ Million): 2020 VS 2024 VS 2031
  • Table 29. Key Countries/Regions Music Promoter Software Sales Value, (2020-2025) & (US$ Million)
  • Table 30. Key Countries/Regions Music Promoter Software Sales Value, (2026-2031) & (US$ Million)
  • Table 31. Prism Basic Information List
  • Table 32. Prism Description and Business Overview
  • Table 33. Prism Music Promoter Software Products, Services and Solutions
  • Table 34. Revenue (US$ Million) in Music Promoter Software Business of Prism (2020-2025)
  • Table 35. Prism Recent Developments
  • Table 36. Muzeek Basic Information List
  • Table 37. Muzeek Description and Business Overview
  • Table 38. Muzeek Music Promoter Software Products, Services and Solutions
  • Table 39. Revenue (US$ Million) in Music Promoter Software Business of Muzeek (2020-2025)
  • Table 40. Muzeek Recent Developments
  • Table 41. Gigwell Basic Information List
  • Table 42. Gigwell Description and Business Overview
  • Table 43. Gigwell Music Promoter Software Products, Services and Solutions
  • Table 44. Revenue (US$ Million) in Music Promoter Software Business of Gigwell (2020-2025)
  • Table 45. Gigwell Recent Developments
  • Table 46. Soundcharts Basic Information List
  • Table 47. Soundcharts Description and Business Overview
  • Table 48. Soundcharts Music Promoter Software Products, Services and Solutions
  • Table 49. Revenue (US$ Million) in Music Promoter Software Business of Soundcharts (2020-2025)
  • Table 50. Soundcharts Recent Developments
  • Table 51. Beatswitch Basic Information List
  • Table 52. Beatswitch Description and Business Overview
  • Table 53. Beatswitch Music Promoter Software Products, Services and Solutions
  • Table 54. Revenue (US$ Million) in Music Promoter Software Business of Beatswitch (2020-2025)
  • Table 55. Beatswitch Recent Developments
  • Table 56. Eventbrite Basic Information List
  • Table 57. Eventbrite Description and Business Overview
  • Table 58. Eventbrite Music Promoter Software Products, Services and Solutions
  • Table 59. Revenue (US$ Million) in Music Promoter Software Business of Eventbrite (2020-2025)
  • Table 60. Eventbrite Recent Developments
  • Table 61. Sonicbids Basic Information List
  • Table 62. Sonicbids Description and Business Overview
  • Table 63. Sonicbids Music Promoter Software Products, Services and Solutions
  • Table 64. Revenue (US$ Million) in Music Promoter Software Business of Sonicbids (2020-2025)
  • Table 65. Sonicbids Recent Developments
  • Table 66. Bandsintown Basic Information List
  • Table 67. Bandsintown Description and Business Overview
  • Table 68. Bandsintown Music Promoter Software Products, Services and Solutions
  • Table 69. Revenue (US$ Million) in Music Promoter Software Business of Bandsintown (2020-2025)
  • Table 70. Bandsintown Recent Developments
  • Table 71. Groover Basic Information List
  • Table 72. Groover Description and Business Overview
  • Table 73. Groover Music Promoter Software Products, Services and Solutions
  • Table 74. Revenue (US$ Million) in Music Promoter Software Business of Groover (2020-2025)
  • Table 75. Groover Recent Developments
  • Table 76. Landr Basic Information List
  • Table 77. Landr Description and Business Overview
  • Table 78. Landr Music Promoter Software Products, Services and Solutions
  • Table 79. Revenue (US$ Million) in Music Promoter Software Business of Landr (2020-2025)
  • Table 80. Landr Recent Developments
  • Table 81. Symphonic Basic Information List
  • Table 82. Symphonic Description and Business Overview
  • Table 83. Symphonic Music Promoter Software Products, Services and Solutions
  • Table 84. Revenue (US$ Million) in Music Promoter Software Business of Symphonic (2020-2025)
  • Table 85. Symphonic Recent Developments
  • Table 86. DISCO Basic Information List
  • Table 87. DISCO Description and Business Overview
  • Table 88. DISCO Music Promoter Software Products, Services and Solutions
  • Table 89. Revenue (US$ Million) in Music Promoter Software Business of DISCO (2020-2025)
  • Table 90. DISCO Recent Developments
  • Table 91. Key Raw Materials Lists
  • Table 92. Raw Materials Key Suppliers Lists
  • Table 93. Music Promoter Software Downstream Customers
  • Table 94. Music Promoter Software Distributors List
  • Table 95. Research Programs/Design for This Report
  • Table 96. Key Data Information from Secondary Sources
  • Table 97. Key Data Information from Primary Sources

List of Figures

  • Figure 1. Music Promoter Software Product Picture
  • Figure 2. Global Music Promoter Software Sales Value, 2020 VS 2024 VS 2031 (US$ Million)
  • Figure 3. Global Music Promoter Software Sales Value (2020-2031) & (US$ Million)
  • Figure 4. Music Promoter Software Report Years Considered
  • Figure 5. Global Music Promoter Software Players Revenue Ranking (2024) & (US$ Million)
  • Figure 6. The 5 and 10 Largest Companies in the World: Market Share by Music Promoter Software Revenue in 2024
  • Figure 7. Music Promoter Software Market Share by Company Type (Tier 1, Tier 2, and Tier 3): 2020 VS 2024
  • Figure 8. Cloud-based Picture
  • Figure 9. Web-based Picture
  • Figure 10. Global Music Promoter Software Sales Value by Type (2020 VS 2024 VS 2031) & (US$ Million)
  • Figure 11. Global Music Promoter Software Sales Value Market Share by Type, 2024 & 2031
  • Figure 12. Product Picture of Large Enterprises
  • Figure 13. Product Picture of SMEs
  • Figure 14. Global Music Promoter Software Sales Value by Application (2020 VS 2024 VS 2031) & (US$ Million)
  • Figure 15. Global Music Promoter Software Sales Value Market Share by Application, 2024 & 2031
  • Figure 16. North America Music Promoter Software Sales Value (2020-2031) & (US$ Million)
  • Figure 17. North America Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • Figure 18. Europe Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 19. Europe Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • Figure 20. Asia Pacific Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 21. Asia Pacific Music Promoter Software Sales Value by Region (%), 2024 VS 2031
  • Figure 22. South America Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 23. South America Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • Figure 24. Middle East & Africa Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 25. Middle East & Africa Music Promoter Software Sales Value by Country (%), 2024 VS 2031
  • Figure 26. Key Countries/Regions Music Promoter Software Sales Value (%), (2020-2031)
  • Figure 27. United States Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 28. United States Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 29. United States Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 30. Europe Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 31. Europe Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 32. Europe Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 33. China Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 34. China Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 35. China Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 36. Japan Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 37. Japan Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 38. Japan Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 39. South Korea Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 40. South Korea Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 41. South Korea Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 42. Southeast Asia Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 43. Southeast Asia Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 44. Southeast Asia Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 45. India Music Promoter Software Sales Value, (2020-2031) & (US$ Million)
  • Figure 46. India Music Promoter Software Sales Value by Type (%), 2024 VS 2031
  • Figure 47. India Music Promoter Software Sales Value by Application (%), 2024 VS 2031
  • Figure 48. Music Promoter Software Industrial Chain
  • Figure 49. Music Promoter Software Manufacturing Cost Structure
  • Figure 50. Channels of Distribution (Direct Sales, and Distribution)
  • Figure 51. Bottom-up and Top-down Approaches for This Report
  • Figure 52. Data Triangulation
  • Figure 53. Key Executives Interviewed