2023-2030年全球音樂製作軟體市場

在預測期間（2023-2030年），全球音樂製作軟體市場預計將以5.9%的可觀複合成長率成長。該市場的成長歸功於音樂技術和教育等因素。音樂技術和教育組涉及音頻工程、音樂技術、流行音樂和創意產業的教育、社會和創業因素。全球的音樂教育工作者正在進行調整，將音樂技術課程涵蓋現有的音樂課程或開發全新的音樂技術課程。例如，2022年9月，Avid科技公司宣布了Pro Tools 2022.9版，加快了對創新的投資，為全球的音樂專業人士帶來了前所未有的藝術性和生產力方面的進步。通過ARA 2技術直接整合Melodyne，能夠在Pro Tools的用戶界面內輕鬆操作音高和時間。

細分市場前景

全球影片點播市場根據類型和應用進行了細分。基於類型，市場被分類為編輯、混音、錄製、分發、發布和社會共享。基於應用，市場被分類為專業用途和休閒用途。在這些類型中，由於對音樂製作軟體的需求不斷增加，錄音子板塊預計在預測期內會有相當大的複合成長率，這已經發展成為一門與錄音和複製技術的進步不斷聯繫的學科。

分銷使用子領域預計將在全球音樂製作市場中佔據突出佔有率

在該類型中，由於音樂領域對發行的需求不斷成長，預計發行子板塊將在全球影片點播市場佔據突出佔有率。分銷是指將音樂從藝術家那裡拿到零售商那裡，並讓公眾可以購買的過程。分發分享或釋放音樂到廣泛的實體和線上管道和市場。在音樂商店和流媒體平台（如Spotify、Apple Music和Amazon Music）以及社交媒體平台（如Instagram和Tik Tok）上提供曲子供流媒體或下載的過程。

區域展望

目錄

第一章：報告摘要

• 當前行業分析和成長潛力展望
• 研究方法和工具
• 市場細分
  • 按領域分類
  • 按地區

第二章：市場概述和洞察力

• 報告的範圍
• 分析師的洞察力和當前的市場趨勢
  • 主要發現
  • 建議
  • 總結

第三章：競爭格局

• 主要公司分析
• Apple Inc.
  • 概述
  • 財務分析
  • SWOT分析
  • 近期發展情況
• Adobe Inc.
  • 概況
  • 財務分析
  • SWOT分析
  • 近期發展
• Avid Technology, Inc
  • 進展概況
  • 財務分析
  • SWOT分析
  • 近期發展情況
• 關鍵戰略分析

第四章：市場細分

• 全球音樂製作軟體市場的類型
  • 編輯類
  • 混音
  • 錄製
  • 發行
  • 出版
  • 社會共享
• 全球音樂製作軟體市場的應用
  • 專業用途
  • 臨時使用

第五章：區域分析

• 北美洲
  • 美國
  • 加拿大
• 歐洲
  • 英國
  • 德國
  • 義大利
  • 西班牙
  • 法國
  • 歐洲其他地區
• 亞太地區
  • 中國
  • 印度
  • 日本
  • 韓國
  • 亞太其他地區
• 世界其他地區

第六章：公司簡介

• Ableton AG
• Acoustica Inc.
• Audacity Ventures Pvt.
• Cakewalk Inc.
• Cockos Inc .
• Cubase Pvt.
• FL Studio
• Logic Pro X
• MAGIX Software GmbH
• MOTU Ltd.
• NCH Software
• PreSonus Audio Electronics Inc.
• Propellerhead Software
• Steinberg Media Technologies Gmbh
• Tracktion Software (TSC)

Title: Global Music Production Software Market Size, Share, and Trends Analysis Report by Type (Editing, Mixing, Recording, Distribution, Publishing, and Social Sharing), and by Application (Professional Use and Casual Use) Forecast Period (2023-2030).

The global music production software market is anticipated to grow at a considerable CAGR of 5.9% during the forecast period (2023-2030). The market's growth is attributed to factors such as music technology and education. The Music Technology and Education group is involved with the educational, social, and entrepreneurial elements of audio engineering, music technology, popular music, and the creative industries. Music educators across the globe are adapting to include music technology programmes into existing music sessions or developing total new music technology sessions. For instance, in September 2022, Avid Technology, Inc. announced Pro Tools release 2022.9, accelerating its investment in innovation to bring unprecedented advances in artistry and productivity for music professionals globally. The ability to easily manipulate pitch and time right inside the Pro Tools user interface via direct integration of Melodyne via ARA 2 technology.

Segmental Outlook

The global video on demand market is segmented based on type, and application. Based on the type, the market is segmented into editing, mixing, recording, distribution, publishing, and social sharing. Based on application, the market is segmented into professional use, and casual use. Among the type, the recording sub-segment is anticipated to grow at a considerable CAGR over the forecast period owing to the rising demand of music production software, which has developed into a discipline that is constantly linked to advancements in sound recording and reproduction technologies.

The Distribution Use Sub-Segment is Anticipated to Hold a Prominent Share of the Global Music Production Market

Among the type, the distribution sub-segment is expected to hold a prominent share of the global video-on-demand market due to the growing demand for distribution in the music sector. Distribution is the process of getting music from the artist to the retailer and making it available for purchase to the general public. The distribution sharing or releasing of music to a wide range of physical and online channels and marketplaces. The process of making the tunes available for streaming or download on music stores and streaming platforms such as Spotify, Apple Music, and Amazon Music, as well as social media platforms such as Instagram and Tik Tok.

Regional Outlook

The global music production software market is further segmented based on geography, including North America (the US and Canada), Europe (Italy, Spain, Germany, France, and Others), Asia-Pacific (India, China, Japan, South Korea, and Others), and the Rest of the World (the Middle East and Africa, and Latin America). Among these, the Asia-Pacific region is anticipated to grow at a significant rate over the forecast period, owing to the rise of the digital landscape and the ever-improving internet connectivity are driving the growth of the music production sector. Music streaming service companies' increased use of Big Data leads to better educated and effective advertising messages. Furthermore, an increasing number of regional players, such as KKBox, JOOX, and Yonder, continue to dominate the online music industry. .

Global Music Production Software Market Growth, by Region, 2023-2030

Source: OMR Analysis

North America is Expected to Hold a Prominent Share of the Global Music Production Software Market

Among all the regions, North America is expected to hold a prominent share in the music production software market, owing to increasing number of music producers and musicians are releasing albums, that has increased demand for music production software. For instance, in January 2022, the increased popularity of concerts, live events, and EDM encourages consumers to use DJ software to produce personal remix songs, increasing market demand. Musicians and DJs are also using the software to create their own versions of various music tracks, boosting the market's adoption of music production software. The increased use of DJ music in a variety of settings, including shopping malls, hotels, restaurants, and social gatherings, has accelerated market growth. The continuous growth of the media sector and expanding collaborations across the globe participants are anticipated to drive the growth industry.

Market players' outlook

The major companies serving the global video-on-demand market include Cockos Inc., MOTU Ltd., FL Studio, MAGIX Software GmbH, and Cakewalk Inc., among others. The market players are considerably contributing to market growth through the adoption of various strategies, including mergers and acquisitions, partnerships, collaborations, funding, and new product launches, to stay competitive in the market. For instance, in February 2022, PreSonus Audio Electronics, Inc. Announced the global launch of the AudioBox GO, the smallest, lightest, most portable PreSonus® audio. AudioBox GO is for musicians and producers seeking a simple and affordable method to begin their career in home music recording or content creation.

The report covers:

• Market value data analysis for 2022 and forecast to 2030
• Annualized market revenues ($ million) for each market segment.
• Country-wise analysis of major geographical regions
• Key companies operating in the global music production software market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
• Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
• Analysis of market entry and market expansion strategies.
• Competitive strategies by identifying 'who stands where' in the market.

Table of Contents

1. Report Summary

• Current Industry Analysis and Growth Potential Outlook
• 1.1. Research Methods and Tools
• 1.2. Market Breakdown
  • 1.2.1. By Segments
  • 1.2.2. By Region

2. Market Overview and Insights

• 2.1. Scope of the Report
• 2.2. Analyst Insight & Current Market Trends
  • 2.2.1. Key Findings
  • 2.2.2. Recommendations
  • 2.2.3. Conclusion

3. Competitive Landscape

• 3.1. Key Company Analysis
• 3.2. Apple Inc.
  • 3.2.1. Overview
  • 3.2.2. Financial Analysis
  • 3.2.3. SWOT Analysis
  • 3.2.4. Recent Developments
• 3.3. Adobe Inc.
  • 3.3.1. Overview
  • 3.3.2. Financial Analysis
  • 3.3.3. SWOT Analysis
  • 3.3.4. Recent Development
• 3.4. Avid Technology, Inc
  • 3.4.1. Overview
  • 3.4.2. Financial Analysis
  • 3.4.3. SWOT Analysis
  • 3.4.4. Recent Developments
• 3.5. Key Strategy Analysis

4. Market Segmentation

• 4.1. Global Music Production Software Market by Type
  • 4.1.1. Editing
  • 4.1.2. Mixing
  • 4.1.3. Recording
  • 4.1.4. Distribution
  • 4.1.5. Publishing
  • 4.1.6. Social Sharing
• 4.2. Global Music Production Software Market by Application
  • 4.2.1. Professional Use
  • 4.2.2. Casual Use

5. Regional Analysis

• 5.1. North America
  • 5.1.1. United States
  • 5.1.2. Canada
• 5.2. Europe
  • 5.2.1. UK
  • 5.2.2. Germany
  • 5.2.3. Italy
  • 5.2.4. Spain
  • 5.2.5. France
  • 5.2.6. Rest of Europe
• 5.3. Asia-Pacific
  • 5.3.1. China
  • 5.3.2. India
  • 5.3.3. Japan
  • 5.3.4. South Korea
  • 5.3.5. Rest of Asia-Pacific
• 5.4. Rest of the World

6. Company Profiles

• 6.1. Ableton AG
• 6.2. Acoustica Inc.
• 6.3. Audacity Ventures Pvt.
• 6.4. Cakewalk Inc.
• 6.5. Cockos Inc .
• 6.6. Cubase Pvt.
• 6.7. FL Studio
• 6.8. Logic Pro X
• 6.9. MAGIX Software GmbH
• 6.10. MOTU Ltd.
• 6.11. NCH Software
• 6.12. PreSonus Audio Electronics Inc.
• 6.13. Propellerhead Software
• 6.14. Steinberg Media Technologies Gmbh
• 6.15. Tracktion Software (TSC)

LIST OF TABLES

• 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
• 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
• 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
• 12. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
• 13. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
• 14. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
• 15. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
• 16. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
• 17. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
• 18. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
• 19. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
• 20. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
• 21. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
• 22. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
• 23. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)

LIST OF FIGURES

• 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY TYPE, 2023 VS 2030 (%)
• 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY APPLICATION, 2023 VS 2030 (%)
• 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY REGION, 2023 VS 2030 (%)
• 12. US MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 13. CANADA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 14. UK MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 15. FRANCE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 16. GERMANY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 17. ITALY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 18. SPAIN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 19. REST OF EUROPE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 20. INDIA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 21. CHINA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 22. JAPAN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 23. SOUTH KOREA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 24. REST OF ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
• 25. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)